Wilna’s inner journey brought a discovery of the reality of Psyche through the expression of art. She views the creative space as the sacred space between above and below. In this approach the canvas becomes a living mirror. And in this ‘mirror’ she discovered meaningful inner truth. What started as playful creative experimentation with the psyche eventually culminated in the art exhibition at the Irma Stern Museum. The books, The Old Woman and the Moon and Die Zebravis, were published simultaneously. And this in turn developed into the workshop, Creativity and the Inner Other. In this workshop she shares with others this process of communicating with the inner world through creative work of all kinds, a form of active imagination. In Backstory she follows the thread of deeper meaning as it meanders across 25 years.
Psyche Unfolding in Art
When I started painting I was fascinated by the process of projecting unconscious content and finding it to be meaningful. Early in my work I realized that psychological insight was often followed by the spontaneous solving of artistic problems. The psyche is alive!
I discovered that the images appearing before my mind’s eye will continue to develop and unfold in unexpected ways if I would only listen and I found that the unconscious was even feeding me at times artistic assistance. Even when I worked from photographs the process and my approach remained exactly the same.
Irma Stern Museum Exhibition
The 2016 exhibition at the Irma Stern Museum, Cape Town, included work spanning 25 years of inner life in image. It was opened by Amanda Botha, well-known art journalist and writer from Cape Town. The exhibition coincided with the annual Africa Day celebrations at the University of Cape Town.
My sincerest thanks to the Jung Foundation of New York for the publication of the article on my journey in the Fall/Winter issue of 2020-21. Click to view the article.
[Wilna’s] palette becomes the medium and her canvas the reportage of her psychic journey, and the answer to her continuous inner dialogue. Like the writer Milan Kundera, she finds in her work ‘the unbearable lightness’, and she can turn her ‘sunflowers’ to the light like Vincent van Gogh. Each of these paintings has its own life – a part of the greater puzzle of truths that form part of a wider cosmic understanding.Amanda Botha, DeKat May 2016