Symbolism and Consciousness in Art
THE ZEBRA-FISH came to me in a dream. It symbolises the greater mystery of life, both inside and outside me. It unites above and below, masculine and feminine, coldblooded and warmblooded, the opposites. It stands for wholeness, and it brings hope. I have to learn to relate to this mystery to find meaning in life and my own right place. It contained and inspired me. It took me 20 years to complete this image. This work is 1.8 x 1.9 m, oil on canvas on board.
THE WHITE MAN is the masculine principle in man and woman alike. When he is out of balance, he is patriarchal, perfectionistic and controlling, but when in balance he is my integrity and strength. He is also the yang force and is represented by the white lines in THE ZEBRA-FISH. He is seen at the fire of his own transformation.
THE MARY MAGDALENE is his feminine counterpart. Together they form the inner couple, he is the sun, the culture, she is the beautiful moon, nature. In our culture and in our lives she is suppressed and wounded. She is the yang force and the black lines in THE ZEBRA-FISH.
SPLIT FEMININITY, MARY MAGDALENE AND BARBIE is the eye of the MaryMagdalene, what she sees, the wound: mother and daughter are personifications of inner opposites, forever in conflict and restoring the relationship; that is the normal process by which one grows toward maturity, but they are sealed off, as if in an egg, and the process of inner growth is hampered. That is the wound.
SOPHIA stands for the wisdom of nature as opposed to the power of the patriarchal culture. She is the true containing power. The light falls upon the gorilla, the instinctual aspect of human nature. His left hand is upon the shoulder of Sophia: is he pressing her down, or is he her right arm? The urge to suppress nature has to change to the instinctive support of one’s own true nature, a long and uncomfortable time in the fire. In this way Sophia is gradually growing back into her rightful place, her message to the patriarchate.
THE KING OR STRIDER is the king who lost all and has to be restored to his rightful heritage. In THE ZEBRA-FISH, he is the sangoma at the edge of the water who has the vision that has to be conveyed to the conscious personality.
THE MULBERRY WOMAN is born from the tree, from her ear, for I am born through hearing myself. Yet, she is also the tree. She goes down into the underworld, she suffers it through, and brings new growth with the new spring. She goes up and down, restoring the lost connection between above and below, overbridging the divide.
THE BRIDGE is the end of a time, as opposed to the dawn of a new period in THE ZEBRA-FISH. The stones are a collective sacred place; one has to claim back one’s own sacred stone, one’s connection to life. That is the bridge. It is also the place of the Mother, of death and birth, for through self-acceptance, the boat, the vehicle and vessel of the process, may become the boat of the vagina and birth. The middle stone is the middle way.
THE WAY is the seeking and the struggle, the restoring of the relationship to the mystery of one’s own life. Eventually one may find that one’s modern life is contained by an ancient myth of death and becoming, the process of individuation. A meaningful worldview may contain one’s suffering and pain.
All artwork are for sale. High resolution pictures are available on request.